About

I've spent my career at the edge of the map — the places where entertainment, technology, and audiences are still figuring each other out. At the collision point of business models, audience needs and emerging technology between Silicon Valley, Hollywood and Madison Avenue.

That terrain has included some of the first serious work in emerging technology, award-winning launches and formats across four Emmys, sixteen Cannes Lions, and two Peabodys, and a Cannes Visionary award for the body of work in between.

I've shipped productions, products and pipelines.

Today I run a portfolio of ventures across creative strategy, production, and AI — and serve as a Governor of the Television Academy, where I work on how the industry adapts to AI without losing what makes it an industry worth adapting.

The through-line is the same everywhere: clarity over hype. New technology doesn't need cheerleaders or doomsayers. It needs people who will actually go out into it, learn the terrain, and report back honestly.